47 Ronin (2013)

Japan’s historical story of “47 Ronin” is as sacred there as George Washington crossing the Delaware is here: A samurai army who wait more than a year living in excommunication before taking revenge and the head of their enemy after their master is dishonored and forced to commit suicide. Hollywood? Not impressed. Reaction: Let’s Tolkeinize it with dragons and a witch with a snake fetish, and Keanu Reeves. Because Keanu knows kung fu. And everyone loves CGI dragons. Did I mention the magical Voldermort doppelganger? Yeah. They did it. While never dull, “47 Ronin” is a mess of pop culture hits reheated into a mess. Reeves’ heroic Kai -– mostly seen in cut/paste reaction shots -– is an American raised in Japan, having been found as a starved, wounded child by the same sensei who later will be dishonored. As Kai is central, that not only slides Japanese hero Oishi (Hiroyuki Sanada) to the role of second fiddle, but racist asshole. See, Oishi constantly derides Kai as “half breed” until he needs Kai’s fighting skills, then it’s all, “We’re pals!” So, opportunistic second fiddle racist asshole. Imagine Washington treated like that. C-

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