Transformers: Age of Extinction (2014)

Michael Bay’s “Transformers: Age of Extinction” is a 170-minute endurance test thud thud thuding loud as slick CGI and slo-mo explosions litter the screen with buildings, trains, and cars crashing and people running about, always at magic hour. In Bay’s world, every day has five sunsets. The original cast is out, replaced by Mark Wahlberg as a Texas inventor/redneck/father with a Boston accent who happens upon wounded alien robot hero Optimus Prime -– stoic Autobot leader -– and ends up chased by Uncle Sam thugs led by Kelsey Grammer. Our heroes bolt to Utah then Chicago and then Hong Kong, because in China everyone knows kung fu. And Asia means box office coin. Thousands of people die as robots fight and Wahlbeg’s dad saves his pretty teen girl (Nicola Peltz) whose ass Bay glares at, endlessly. The script talks the death of original cinema early on, but “T4” unironically regurgitates films 1-3 and stacks bewildering logic lapses one upon the other. Greatest jaw-dropper: Beijing and Hong Kong within a short drive. Even by the greatest allowance for “dumb” fun and the occasional jolt of a cool image (all those sunsets), Bay’s films are cinema’s death. Soulless, brainless empty robots. D

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